
Carnegie Melon Racing
Carnegie Mellon Racing: Illustrations & Designs to Boost Team Spirit
Role
Role
Visual Design
Visual Design
Timeline
Timeline
Fall 2024
Fall 2024
Tools
Tools
Adobe Illustrator, Adobe Photoshop
Team
Team
Sole Designer
Context
Throughout 2024, I had the opportunity to work under Carnegie Mellon Racing's design team, where I contributed to a wide range of projects focused on merchandise design. My role involved creating original illustrations and graphic concepts that were translated into apparel, accessories, and other branded items for the CMR community.
Client Work
Carnegie Mellon Racing: Illustrations & Designs to Boost Team Spirit
Role
Visual Design
Timeline
Fall 2024
Tools
Adobe Illustrator, Adobe Photoshop
Team
Sole Designer
Context
Throughout 2024, I had the opportunity to work under Carnegie Mellon Racing's design team, where I contributed to a wide range of projects focused on merchandise design. My role involved creating original illustrations and graphic concepts that were translated into apparel, accessories, and other branded items for the CMR community.




Final Reflection
Final Reflection
Working with Carnegie Mellon’s design team was a valuable experience because it pushed me to design in a more collaborative and people-centered way. Unlike classroom projects, where most of the process happens within design-focused circles, this role involved working directly with people outside of the design major. I learned that successful design wasn’t just about producing something visually strong, but also about listening, understanding, and balancing different voices. Often, that meant translating non-designers’ ideas into visual language, finding common ground between differing opinions, and making sure the final product felt inclusive and representative. This experience reminded me that design is ultimately about communication and connection, and it deepened my appreciation for how much stronger a project can become when multiple perspectives are brought together.
Working with Carnegie Mellon’s design team was a valuable experience because it pushed me to design in a more collaborative and people-centered way. Unlike classroom projects, where most of the process happens within design-focused circles, this role involved working directly with people outside of the design major. I learned that successful design wasn’t just about producing something visually strong, but also about listening, understanding, and balancing different voices. Often, that meant translating non-designers’ ideas into visual language, finding common ground between differing opinions, and making sure the final product felt inclusive and representative. This experience reminded me that design is ultimately about communication and connection, and it deepened my appreciation for how much stronger a project can become when multiple perspectives are brought together.